Roland MX1 Aira Mix Performer

Please note, the packaging may be a little scuffed, but item is new, unused.

What Roland say....

18-Channel Performance Mixer with Step-Sequenced FX, Transport, and Tempo Control

The MX-1 Mix Performer brings together your synths, drum machines, loops, DAW tracks, and more into a single performance-optimized mixing instrument. Combining elements of a mixer, control surface, audio interface, and step-based effector, the MX-1 is designed to be the nerve center of your electronic music rig. It’s a mixer you can play – and so much more.

Features

18 channel performance mixer with step-sequenced FX, transport, and tempo control

Three kinds of step-sequenced Beat FX (Filter, Side Chain, Slicer) with TR-style buttons

Six kinds of Master FX (48 variations) with large performance control knob

Beat FX and Master FX can be applied to any or all inputs; Beat FX are per channel

Combi mode rhythmically alternates the Master FX using the step-sequencer

Four AIRA Link USB ports support audio, MIDI, sync, and bus power (on Port 3) for AIRA gear

Mix mode provides six analog, one digital (stereo), four AIRA (stereo) , and two PC channels through mixer and FX

External mode provides 18 channels from DAW through mixer and FX (all inputs direct to DAW)

Control Surface mode for full DAW control via MIDI

DJ-style cue monitoring, quick mutes, and six fader curves per channel

Per-channel Tone/Filter knob with ten kinds of EQs, filters, and isolators

Transport and tempo control with fine, shuffle, and tap-tempo functions

Instantly save and recall complete setups including all FX configurations

Unified recording, clip launching and performance mixing for Ableton Live

Ableton Live Lite is included

Mix it up

With six analog inputs, four AIRA Link USB ports, digital I/O, send and return jacks, and the ability to stream 18 channels to and from your DAW, the MX-1 brings together a wide range of musical sources and puts them directly under your fingertips. But this is no ordinary mixer.

The smooth, solid faders each have six different volume curves available. Every channel has an adjustable Tone/Filter knob with ten types of filters, EQs, and isolators. Mutes are placed for quick access, working with the LED-lit faders to clearly show their status, even in dark environments.

The DJ-style headphone cue monitoring lets you smoothly mix in any source whenever you’re ready, or drop in tracks right on the beat. Separate headphone and master volume knobs along with smooth and bright metering keep levels firmly in check. And everything, including all the FX configurations and settings, can be saved and recalled for instant access.

Dramatic. Rhythmic. Get the desired effect.

There’s no question that effects play a huge role in creating a unique vibe and defining your sound. And the MX-1 integrates effects in exciting new ways. Not only do the MX-1’s effects sound great, they’re designed for ready manipulation and rhythmic sensibility, thanks to the MX-1’s tempo awareness and the TR-style step interface.

In addition to an aux send for feeding external effects, each channel has its own Beat FX including Filter, Side Chain, and Slicer. These are applied using sixteen TR-style step sequencer buttons like those found on famous Roland drum machines. This lets you independently filter, duck, and slice each channel, creating cool rhythmic variations, polyrhythms, and all manner of intricate grooves. Beat FX can be instantly switched on and off per channel with dedicated, illuminated buttons.

Six kinds of Master FX, each with lots of variations, add spice and drama to any or all channels. And the large control knob gives them supreme playability. The Master FX can even be step-sequenced in various combinations, creating stunning movement and glitchy interludes that must be heard to be fully appreciated.

Loves computers. But enjoys its alone time

Computers already play a big role in production, and they increasingly play a role in performance. But they don’t always integrate so well with other live instruments, and require their own audio interface and controller. The MX-1 addresses these problems through its ability to operate in any one of three different modes.

In Control Surface mode, the MX-1 can sync to your computer and act as a high-quality MIDI controller for your DAW. Cool. But it gets way more interesting…

In Mixer mode, the MX-1 can mix all connected sources, including analog and digital inputs, AIRA gear, and your computer’s output. While there’s a dedicated channel for a stereo output from your computer, you can also send computer audio to USB channels 1 thru 4 if no device is connected to the AIRA Link USB ports. Very cool.

In External mode, the MX-1 can send all its inputs directly to your DAW, acting as a high-quality audio interface. At the same time, it can mix 18 channels back from your DAW, putting them on the MX-1’s faders. This lets you utilize the recording, clip triggering, effects, and mixing functions of your DAW along with the MX-1’s cue monitoring, sync, and performance-optimized mixing and effects capabilities. It’s mind-bending stuff. Just take a moment to imagine the possibilities.

While the MX-1 obviously makes working with a computer way more fun, it’s just as happy on its own. So whether it’s full hands-on control of your DAW or completely out-of-the-box production and performance, the MX-1 is right at home.

Get connected. Link in and sync up

The MX-1 is so much fun to play that you’re bound to want to plug all kinds of things into it. Four individual 1/4-inch jacks support just about any kind of instrument, and the stereo 1/8-inch jack is perfect for smartphones, tablets, and various gadgets.

There are also four AIRA Link USB ports that make connecting your AIRA gear literally plug and play. With fully automatic detection, AIRA Link USB ports transmit audio, MIDI, and sync over a single USB cable. One of the ports can even provide bus power for a compatible AIRA device like the TB-3 Touch Bassline or VT-3 Voice Transformer. AIRA Link reduces cable clutter and makes setup fast and simple.

The MX-1 is also fully time aware and gives you hands-on control of start, stop, tempo, and timing. Sync an array of musical devices over MIDI or AIRA Link. Control everything with the brightly lit TR-style start/stop button and large tempo knob with fine adjustment, shuffle control, and tap function.

The mixer. Reimagined as an instrument

While the MX-1 is sturdily built, highly flexible, and extremely capable, all this mixing and effect control would be nothing if it were confusing or cumbersome to use. But the way mixing and effects are so cleverly and thoughtfully implemented in the MX-1, everything is fast, immediate, and intuitive. Most of all, it’s musical, and designed to be played. Like all AIRA gear, there are no confusing menus or layered functions to slow you down.

Unified recording, clip launching and performance mixing for Ableton Live

The MX-1 Mix Performer's "Live Mode" takes its forward-thinking approach to mixing and formidable audio interface capabilities and blends it with the ability to fully control Live's clip and scene launching as well as track selection and monitoring. The result is a unified environment that lets you naturally mix hardware and software, record any input directly to clips, launch clips and scenes, apply hands-on, step-sequenced effects, and even take the whole thing to the stage where you can really play Live. And if you already use a controller like Push, the MX-1 integrates perfectly, expanding the capabilities of both, and opening up new possibilities for your music.

Full Specification

Tempo

40–300
   
Scene Memory

16 x 4 (Bank A, B)   

BEAT FX

FILTER: 5 types

SIDE CHAIN: 5 types

SLICER: 5 types
   
MASTER FX

DELAY: 8 types

FILTER: 8 types

SCATTER: 8 types

FLANGER: 8 types

BIT CRUSH: 8 types

ROLL: 8 types   

MASTERING

10 types   

Number of USB Audio Max Input/Output Channels

Sampling frequency: 96 kHz, 48 kHz, 44.1 kHz

Input: 18 channels

Output: 18 channels   

Signal Processing

PC interface: 24 bits

AD/DA conversion: 24 bits   

Sampling Frequency

AD/DA conversion: 96, 48, 44.1 kHz

DIGITAL (IN, OUT): 96, 48, 44.1 kHz   

Nominal Input Level (variable)

Input 1–4: -26– +4 dBu

Input 5/6: -26– +4 dBu
   
Nominal Output Level

MIX OUT: +4 dBu
   
Head Room

18 dB   

Input Impedance

Input 1–4: 100 k ohms

Input 5/6: 100 k ohms
   
Output Impedance

MIX OUT: 1 k ohm

PHONES: 24 ohms
   
Frequency Response

96.0 kHz: 20 Hz–40 kHz (+0/-2 dB)

48.0 kHz: 20 Hz–22 kHz (+0/-2 dB)

44.1 kHz: 20 Hz–20 kHz (+0/-2 dB)
   
Dynamic Range

AD block INPUT 1–4: 100 dB typ.

AD block INPUT 5/6: 100 dB typ.

DA block MIX OUT: 108 dB typ.
   
Connectors

PHONES jack: 1/4-inch stereo phone type

MIX OUT (L/MONO, R) jacks: 1/4-inch phone type (unbalance)

INPUT 1–4 (L/MONO, R/MONO) jacks: 1/4-inch phone type (unbalance)

INPUT 5/6 jack: Stereo miniature phone type

AUX RETURN (L, R) jacks: RCA phono type

AUX SEND (L, R) jacks: RCA phono type

USB FUNCTION Port: USB type B (Audio, Midi)

USB HOST 1–4 ports: USB type A (Audio, Midi, for only TB-3/VT-3/TR-8/SYSTEM-1)

USB HOST 3 port can supply USB Bus power

COAXIAL IN/OUT jack

MIDI (IN, OUT) connectors

DC IN jack   

Interface

Hi-Speed USB

Digital input, output: Coaxial type (conforms to IEC60958)

MIDI IN/OUT   

Power Supply

AC adaptor   

Current Draw

1.7 A

Accessories

Owner's manual

Leaflet "USING THE UNIT SAFELY"

AC adaptor

Ableton Live Lite Serial Number Card*

* Internet connection is required for installation.
http://ableton.com/live-lite   

Size and Weight

Width

400 mm

15-3/4 inches
   
Depth

264 mm

10-7/16 inches
   
Height

65 mm

2-9/16 inches
   
Weight

1.81 kg

3 lbs. 16 oz.

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